Rashkow Residence

Rashkow Residence

“The adventure with this client began in 1978. I had barely opened my professional design practice when in a conversation between a friend of mine and one of Chicago’s top architects at that time, it was made known that he was working with a young couple on the design of a modern house on Chicago’s north shore. His client was interested in retaining the services of an interior design who shared their vision for the interior. With three small children, the interior had to be practical yet with a sense of drama. Thus, my introduction to a couple who I’ve worked with continuously on numerous projects till this day.

Fast forward to 2011 when my clients opted to “upsize” their residence from the original 6,500 square feet to 10,500 square feet. With adult children and grandchildren living in the immediate area, additional guest suites and play spaces were requisite. As the original single-story house was lot line to lot line, the only option was to build up and add a second story. Like similar projects, the existing house was gutted, spaces added and altered with room functions reassigned to accommodate the client’s wish list.

The original house plan had four-bedroom suites, a playroom, the usual public spaces such as living, dining, kitchen and library along with staff quarters. In the new plan the three secondary bedrooms, baths and playroom were annexed to the master suite providing an enlarged bedroom with fireplace, an office for the wife, two oversized dressing rooms and closets, his and her bathrooms and a study for the husband. The library was converted to the dramatic floating stair the connects the first floor to second and lower-level media and exercise rooms. The staff quarters became a sitting area adjacent to the open kitchen and glassy breakfast area. The new second level provides three-bedroom suites for guests, a den with a bar and secondary laundry.

As is customary based on the scope of a project, a team of experts was assembled to address specific needs the clients had. Avid and prolific art collectors, a lighting designed was integral to the process. The art was inventoried with its placement determined prior to construction so that each piece would be lit properly. The client asked for an integrated system where interior/exterior light control, security and A/V systems could be controlled at single locations throughout.

As a result of this successful collaboration, the end results exceed my client’s expectations. That’s why I have a passion for what I do.”

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Dunne Residence

Dunne Residence

“Our client approached my firm after seeing several architectural and interior design projects we had recently completed for friends and associates. Their children were grown, living elsewhere, so their north suburban residence comprised of 10,000 square feet of living space was no longer needed. A decision was made to leave Chicago’s north shore and return to city living with easy access to the husband’s downtown office, the numerous upscale stores along Michigan Avenue, the museums and other cultural venues and the city’s myriad restaurants serving world class cuisine.

The search began for a residence that would provide the square footage on par with a single-family house. At the time, there was a 52-floor residential tower under construction in Chicago’s Gold Coast neighborhood. The 42nd floor of the tower provided open space with 5,000 square feet under roof plus two terraces. The floor to ceiling glass allowed for unobstructed views of Lake Michigan to the east and the city to the north and south.

A floor plan was developed with Paul Begnino, the project’s architect of record. I routinely consult with specialists in varying fields on all of my projects. With the continuing advancement in new material development and technology it’s virtually impossible for one to keep pace. From lighting design to “smart house technology” we assemble a team to lend their expertise and contribute to the success of the project.

After numerous design development sessions, an open floor plan was arrived at. The “public” rooms were located along the south exposure of the unit allowing for sweeping views of Chicago’s skyline and its architectural treasures. The “private” spaces, bedroom suites and library were situated along the north exposure of the apartment. The core connecting the public and private rooms was planned to provide a connecting gallery for display of the client’s extensive art collection along with closets, storage rooms and a laundry. So as to allow natural light to penetrate the core of the residence, floor to ceiling glass doors set on top and bottom pivots were used throughout. The glass was etched to provide privacy and the pivots eliminated the need for door casings and trim, maintaining the clean lines and minimalism that were key to the design concept.

The living room and adjoining media space embrace one of the terraces. Both spaces provide intimate seating groups, and their adjacency allows for easy flow when used for large gatherings. The kitchen and dining function, while open to the living spaces, is screened from view by a wall sheathed in African Green granite. The granite was “flamed” and when washed with light the mica flakes take on a shimmer. The same granite was used as the face of the living room fireplace.

The cook’s kitchen was designed for entertaining and was planned, so when viewed from the dining area, to have all of the appliances concealed from view except for the cook top. In keeping with the glass interior doors used throughout the interior, upper cabinets and back splashes at the sink are of glass reenforcing the concept of “lightness.”

The color palette was arrived at based on the exposure of the rooms. Varying shades of greens and grayed blues, cool tones, were used in the public rooms with east/south/west exposures. That color, when introduced in mass, takes on a neutral quality, color without it detracting from the art. For the private spaces on the north side of the residence, I introduced a warm palette of colors such as lemon/lime green in the library, deep gold and bronzes in the master suite and orange in a guest suite. When selecting tiles, stones and woods for the custom millwork and plank floors I opted for tonalities ranging from silver gray to a deep, rich coffee brown. Neutral tones that unify and visually anchor the interior.”

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Cary Avenue

Cary Avenue

“The Cary Avenue residence was built in 1932 in one of Chicago’s north shore suburbs. The house is situated on one of the wooded ravines that border the shore of Lake Michigan. The house, designed in the Georgian style, was the boyhood home of client. When the husband’s parents moved to warmer climes, the house complete with antique furnishings and an extensive collection of modern art, was made available to my clients to use as their primary residence. The challenge was to create a comfortable living environment for a young family whose taste tended towards contemporary.

The first task was a total remodel of the interior, which had not been done since the 1970s. The remodel included updating mechanicals, plumbing fixtures and fittings, windows and a new pool spanned two years. The rooms and living spaces were more or less arranged per the original house plan. Built at a time when one had live-in staff, the house had service stairs and corridors along with living quarters for two staff members. The service stairs were eliminated with that space annexed to the new kitchen as a pantry and an enlarged office space for the wife on the second floor. Staff quarters were converted for use as an exercise room and a dumb waiter was added for transporting laundry and luggage between floors. The new cook’s kitchen is comprised of the original butler’s pantry, breakfast room and kitchen. The single car garage became a new laundry and mud room. A wing housing a three-car garage with an office suite above for the husband’s use was added.

The original second floor plan consisted of four-bedroom suites. Two-bedroom suites were retained and completely renovated along with the master suite. The adjacent bedroom and bath were annexed to the master bedroom and converted to a bathroom and dressing room/closet for the wife’s use. A home theatre/media room, craft room and cabana baths with dressing rooms were added to the lower level of the house, all accessible from the exterior and pool. A vintage residence adapted for today’s mode of living.

When it came to addressing the client’s preference for modernism, their collection of art was blended with the modern art pieces inherited with the house. By chance, the paintings, drawings, prints and sculpture were by masters of the 20th century allowing for a seamless mix. To reinforce the modern artwork, I integrated furnishings designed by the mid-20th century masters with the mostly 18th and 19th century English antiques. The contrast and tension created by placing modern art and furnishings alongside period furnishings in a period house gives the interior an edge which fits the clients to a tee.”


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